The Rolling Stones
Oracle Arena
The two main narratives regarding the Rolling Stones’ 50th
Anniversary tour are: 1. Man, those old guys are old and 2. Man, those pricy
ticket prices are pricy! Never let it be
said that critics don’t grasp the obvious.
Yes, those guys are old, it’s their 50th anniversary tour. That’s 50 years, not 50 days. The
Rolling Stones were touring the US
before I was born. Mick Jagger &Co. were a fact of life from when I was learning to
crawl. And, yes, $2000 for VIP tickets
is a lot of money. Good thing it was my
birthday and I have a girlfriend who likes to rock! Actually, we didn’t pay $2000 ($86/song) or
$1500 for the tongue pit in front of the stage ($65/song) or even $600 for the
floor ($26/song) or even the lowest price $175 tickets since they were all sold
out. Instead, we joined the lottery for
$85 tickets ($3/song). The lottery
system could be an entire blog post on its own; suffice to say we didn’t win
the lottery and were ensconced rather high up in the arena. But we could see fine and it was The Stones
and it was My Birthday. So, party on,
Garth!
So, yes, the Rolling Stones are old guys. Older than the US
Supreme Court. Though I don’t know
anyone who would pay $2000 to see Antonin Scalia do the rooster. For old guys, they are more than a little
spry. Mick Jagger has got the moves like
Jagger. He’s got the moooooves like
Jagger. Mick’s dance style with seal
claps, and jabby pointing and spinning has always vaguely resembled an old guy
trying to get down and now he actually is an old guy getting down. He scampered back and forth across the stage
and around the catwalk nonstop. It’s no
small accomplishment for him to sing at the same time and with the same defiant
and teasing voice as when he was 20. I was tired just watching him.
I also don’t know how Keith Richards is still standing but
he is. At times, he seemed to teeter precariously close to just collapsing on stage.
And his playing certainly isn’t what it once was. Thankfully Ronnie Wood is back with the gang
and can still play a mean guitar. Of
course, KR’s main contribution to The Stones’ history has always been the unforgettable
hooks and he can still provide that.
Tom Waits and the Stones |
Mick Taylor returns |
There was a monster screen behind the band that was used
well: showing videos, live shots and, at one point, a montage of old R&B
artists that influenced the Stones during their 50 years. It’s hard to think of a current band that
could do the same. Will Vampire Weekend
or My Morning Jacket be playing shows after 50 years? I doubt it.
There are plenty of acts past their prime playing Vegas, locked in a
time capsule performing parodies of themselves, but The Stones have avoided that trap. Their longevity is a testament to their once in
a generation quality. There will never
be another Rolling Stones.
There isn’t much that can be said about the Stones that
hasn’t been said. Many of their songs
have been overplayed by FM radio which is understandable because they are rock and
roll canon. At Sunday’s show, they
added new life to one big hit after the next including Gimme Shelter and Brown
Sugar and Sympathy for the Devil and You Can’t Always Get What You Want and
Tumbling Dice. The 50th
Anniversary tour has all the hallmarks of a farewell tour and the band seemed
in some ways to recognize the unlikelihood of another outing when taking their
curtain call, savoring the cheers and each other's company. Having accomplished all
they have and survived this long, I can only say, well done, lads.
1 comment:
Tom Waits! Little Red Rooster! Yes, that does sound really great... funny that those two data points, the least traditionally RS stuff, was the highlight of the show.
Post a Comment