AFI/Muse and the Black Crowes: Abby Musing
AFI and Muse
December 11, 2009
Senior Correspondent Abby Gregory
There was a rather long lineup of acts at the 'Live 105 Not So Silent Night' show which included many up and coming bands such as 30 Seconds to Mars, Vampire Weekend, and Metric; yet, I was only able to see AFI (A Fire Inside) and headliners Muse. Why would I miss such a hot band as Vampire Weekend? Well, show tardiness is an inevitable outcome when you allow the drunks in the group to plan the public transportation logistics across the Bay from San Francisco to Oakland. In addition, after a few drinks, the necessity for a burrito-run in the Mission also assumed a certain misplaced priority, but you can’t reason with the inebriated. So, I arrived at the Oakland Coliseum just as AFI was coming on stage. Fortunately for me, AFI and headliner Muse made up for our late arrive with two amazing sets.
AFI formed in Ukiah, California in 1991 which is probably why I only recently discovered them in 2006 when they released Decemberunderground, but I have been a fan ever since. This album's first single "Miss Murder" was a huge hit and AFI finally began to receive some overdue recognition. AFI has a punk/alternative sound that has evolved quite a bit over their long lifetime. I have never seen AFI live, and was excited to see them perform. They put on a fantastic set, and included songs from their older albums as well as their new release, Crash Love.
Following AFI, Muse came on to a standing crowd. They performed all of their hits old and new, including a couple of my favorites, “Supermassive Black Hole” from Black Holes and Revelations and the new hit “Uprising” from The Resistance. I am also a recent fan of Muse, so was not familiar with much of their older work, but found their performance to be phenomenal. Their onstage presence was outstanding, they were able to connect with the large crowd and get everyone going, not a small feat when you're the sixth or seventh band of the night. Out of Devon, UK, Muse has been a critic’s darling which is no surprise since their sound is reminiscent of Radiohead. Their latest album, The Resistance, is the band’s fifth album and is truly a broad spectrum musical endeavor- rock with a symphonic overtone.
Both bands put on a great performance and it was totally worth seeing them in a large venue even as late as I arrived. I walked away a bigger fan than ever of both AFI and Muse.
The Black Crowes
San Francisco, CA
December 6, 2009
The Black Crowes formed in 1984 and have had a regular rotation of band members since that time - with the exception of singer Chris Robinson and his brother guitarist Rich Robinson who are the creative forces in the band. They are heavily invested in 1970's Southern rock sound that makes me nostalgic for Led Zeppelin (the Crowes have previously toured with Jimmy Page) and the Allman Brothers, from whom they are direct descendants. The Crowes are big favorites in the jam band scene. I have been an intermittent fan of the Black Crowes since High School. Last year, I rediscovered them again with the release of their album Warpaint and after hearing their new album, Before the Frost….Until the Freeze, this past August, I decided that I really should see them live. They are well-known for long and enthusiastic performances and I could think of no better venue than the Fillmore in San Francisco for such an auspicious occasion.
Before the Black Crowes, Truth and Salvage Company opened the show. I enjoyed their set so much I actually purchased their CD. They also have a great 70's Southern rock sound, and turns out the album is a great listen. It is no real surprise that they opened for the Black Crowes since Chris Robinson produced their CD. They performed a great set, approximately 45 minutes long, and were a nice lead-in for the Crowes.
The Black Crowes walked on stage, and without fanfare, immediately launched into their set. While they played a great deal from the new album, Before the Frost…Until the Freeze, and a few songs from Warpaint, but they did not play as many songs from their older albums as I hoped. They played for approximately 2 hours with no chitchat, or gratuitous information, as some bands are wont to do these days. While an overall solid show, I think it could have used a little more “something.” It just seemed a bit lackluster given their history, reputation and musical capabilities. I am glad that I had the opportunity to see them at The Fillmore though, which served as a great backdrop. All in all, a pretty decent show.